Today I am thrilled to welcome to my blog, Joanna Briscoe, author of 'Touched' for a guest post.
1963: Rowena Crale and her family have recently moved into an old
house in a small English village. But the house appears to be resisting
all attempts at renovation. Walls ooze damp. Stains come through layers
of wallpaper. Ceilings sag. And strange noises - voices - emanate from
empty rooms.
As Rowena struggles with the upheaval of builders
while trying to be a dutiful wife to her husband and a good mother to
her five small children, her life starts to disintegrate. And then her
eldest and prettiest daughter goes missing. Out in the village, a
frantic search is mounted - while inside the house reveals its darkest
secret: a hidden room with no windows and no obvious entrance. Boarded
up, it smells of old food, disinfectant - and death...
Set in a world where appearances are everything, and nothing is as it seems, Touched is unsettling, claustrophobic, and utterly gripping.
Touched is beautifully written, and has everything you could want from a novella; crime, horror, love and much more and I am thrilled to be hosting this post today.
Here Joanna talks about the process of writing a novella;
How I wrote this novella.
As
described in my Afterword, it was a liberating experience writing a
Hammer novella. I had never really thought about writing a ghost story
before, and it was my publisher, Selina Walker who had the idea that I
should. It did make me
realise that there was that element in my fiction all along. But this
was a new challenge, and it felt like a delicious, forbidden project
that I couldn’t get on with until I’d finished a draft of my full length
novel. I allowed myself a single afternoon to
work on the idea, which came to me immediately as an image of a girl
dressed in Victorian clothes on a village green. The supernatural
element grew, as did my memories of childhood.
I also wanted to explore childhood in an earlier era, in which children ran free, and could encounter worrying characters.
I also wanted to explore childhood in an earlier era, in which children ran free, and could encounter worrying characters.
I wanted to look at sibling jealousy, and the power of beauty, and at women’s roles in the early sixties, before feminism.
I
wrote the novella in an intense, short period, working faster and more
urgently than I ever had before. The edit took a lot of time and
thought, but I had been shy, to an extent, of the supernatural element,
and I had to bring this out
more. It was the most enjoyable writing experience I’ve had to date.
Writers only sometimes actually enjoy writing! This time, I truly did. I
know where the setting came from; I don’t know where the plot or
characters came from. They seemed to arrive pretty
fully formed, and I raced to make notes on them, and started the
novella that very first day, with children crossing a village green…
Touched by Joanna Briscoe, published in paperback by Hammer, 26th March 2015
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